#Insignificant others

[herejusttosufferalong]

L & A have not ever utilized blocking people, even when shit was PEAK level insanity. Why should we believe a rando anon on Tumblr?

Also, does anyone know if L broke up with J or if J broke up with L?

Lastly, I sadly do think L & A are still together and that we will see them together at some point, and people will spiral. I have always been a pessimist, so until we see a shit ton of unfollows happen with their family and friends, or we see A showing off a new bf on her socials, then I will just assume nothing has changed as to not get my hopes up. And I will enjoy every little L&N crumb in the meantime.

I don't believe them tbh

Proof or it didn't happen

"I sadly do think L & A are still together"

Agreed

[inkedberries]

expanding on the thought of kudou getting the call sign 'hero' and afo getting irked by it for some reason

[retrobr]

how fucking ironic of charles saying 'you're not alone' and then being left alone by his loved ones

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[xitsensunmoon]

I know Valentine's Day has passed and I'm not even a fan but hear me out

We all know that in Help Wanted 2 Sun quite literally states that everything made in Pizzaplex is a property of Fazco, right? So he can do whatever he wants with it.

...You clean up with Sun after hours, like you always do, but today is a little bit different.

Today the daycare is covered in red and pink paper scraps, the leftovers of a few hours of Sun lecturing the kids on how to properly make Valentine cards. You could tell he wasn't in the mood because of something, but you couldn't catch why exactly without talking to him first and truly, your own mind wasn't at ease either so you left him be.

You still help him out of course, as you always do, handing him all of the kid's drawings in a pack and watching him go through them all, sorting, but then shred some. Not all of them, but quite a big chunk doesn't make it.

Probably because of how badly some of the kids tested his nerves today, part of you thinks.

But your mind leaves that thought abandoned very quickly, as you notice that he's almost done with his little routine. You wait patiently, holding one last card behind your back and when he turns back to you, clapping his hands in excitement at being done, you offer him another heart-shaped card. He snatches it with an overstretched smile plastered across his face and your heart sinks when it ends with the same fate as the ones which Sun deemed unworthy of keeping.

"No extras, told them — no extras! Faz.co is already generous enough to give those brats free paper to do their little silly confessions, I can't believe some child made two. Like they have so many loved ones?! Ha! Unacceptable, unacceptable."

He shakes his head in disapproval and dusts his hands, and it almost feels like the last card in his mind was filthy, as it was created by breaking his rules.

You look down at the brightly coloured pile of paper strips on the cushioned floor, feeling your chest tightening, but deciding against saying a thing.

A glitter pen writing in blue and yellow traces one single word, on the strip that has fallen the last.

Your name.

[m4gp13]

Why did Rick do this to us?

Seriously, he went, "Yeah I'm gonna establish a history between two important characters on opposing sides of a conflict in which one of them clearly has negative feelings about the other. and then never bring it up again 🤪" BITCH COME BACK HERE!!!

There was so much that could have been going on between these two! I was talking to @nakamurastorrington about this on twt the other day.

Like, Annabeth's fatal flaw is hubris and Ethan's mother is the physical embodiment of the punishment for hubris, they are diametrically opposed! They have their shared history at camp but very different experiences with the system where Annabeth was pretty much immediately claimed and became the head councillor of her own cabin from a very young age, establishing her as a respected veteran at camp. Meanwhile, Ethan was shoved into a corner of someone else's cabin because he wasn't worth his own cabin, and so he just faded into the background. Also, Their relationship with Luke! They both had Luke as a big brother figure. Annabeth saw him as genuine family and Ethan would have looked up to him as his brother while in the Hermes cabin. Then Luke left and Annabeth still held out hope for him and refused to believe he'd ever truly passed the point of no return even while everyone constantly told her she was wrong, and Ethan, despite spending a year working for Kronos and seeing the worst of the results of Luke's actions, still believed he was in there fighting Kronos. Not to mention, THEIR MOTHERS??!?!!?!

There could have been such interesting conflict between them! Annabeth should have gotten to talk to Ethan during the parley. If anyone should have gotten to snap at Ethan about his mother, it should have been her because he would have snapped back so hard!

[group-dynamic]

Very Minor Spoiler for Episode 7 (S2) of Rings of Power

Thinking casually about Galadriel's declaration earlier this season that caring for that which is most fragile and most dear is the duty entrusted to all elves and how Celebrimbor's gentle care in noticing and greeting that little mouse is what allowed him to see past Sauron's deception. :)

[msexcelfractal]

I used to believe that bugs were little robots. Lots of people do, it’s the prevailing opinion next to “i’ve never thought about it”. Then I watched a mother wasp mourn her child. An animal who stretched after a nap and did little dances when her daughters returned from flight. Now she is opening her fourth capped hexagon and finding a pale white stillborn. She grasps the baby gently in her jaws and does not put it down for over 24 hours. Carries her loss, pacing back and forth the length of her enclosure. It is not the behavior of a robot.

So I think about the prior odds. Scenario A, bugs are robots. Why do I believe that? Because they are so tiny. Because if they are not robots then my world [where “insect exterminator” is a job title and I can buy a can of mass death at home depot] does not make sense. They must be insignificant.

The wasp makes me reconsider. Scenario B: her kind are like mine. cry when we are sad and happy when we play. Has this feature evolved many times? Or is it common to all the children of the precambrian worm? Every shark in the ocean swimming in their own feelings. Every bird and every cat knowing the thrill of being alive? The wasp made me realize that my whole moral picture is wrong. We’re not alone on this planet,

[cannot-be-cyn]

me, engaging in other media be like:

[herejusttosufferalong]

I, and I can not stress this enough, am done with these BS outlets

[lbhslefttiddie]

the qiong ding peak disciples 100% have petty beef with lbh for stealing their favourite didi lmao

they're not gonna Actually beat him up (without Reason) but they're very emphatic about how thoroughly they WILL if lbh messes with sy. it's like a shovel talk that never ends

sy isn't actually completely oblivious to whats going on but he doesn't get why they're like this and he thinks theyre being fucking stupid (and he trusts them to not actually bully binghe) so he's elected to ignore their antics entirely

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[itzrafee]

A thing on Uran and Helena in Pluto

Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.

Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.

I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.

But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.

In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.

Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.

So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.

Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.

im sorry for this one:

[karleksmumskladdkaka]

DIABOLIK LOVERS Night Pool Ruki Mukami Acrylic Photo Card

[dearmyloveleys]

the sad thing for me about both xielian and wwx’s stories is that when you’ve become legends, your story thereafter will never be the truth and will always be rewritten at best and slandered at worst. then when the novelty wears off, you become a myth—somebody who exists in gossip and cautionary tales when you sacrificed everything to be that legend with good intentions

[edithdraws]

Listen they barely interact face to face but Adam Warlock and Mistress Death have the funniest dynamic of all time actually.